About the Indigenous Authors & their Poems shared in our Conversations
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Joy Harjo was appointed the new United States poet laureate in 2019. Born in Tulsa, Oklahoma, in 1951, Harjo is a member of the Mvskoke/Creek Nation. She is the author of several books of poetry, including An American Sunrise, which is forthcoming from W. W. Norton in 2019, and Conflict Resolution for Holy Beings (W. W. Norton, 2015). She is a current Chancellor of the Academy of American Poets and lives in Tulsa, Oklahoma.
Remember the sky that you were born under,
know each of the star's stories.
Remember the moon, know who she is.
Remember the sun's birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother's, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.
An enrolled member of the Ohlone-Costanoan Esselen Nation of California, poet Deborah Miranda was born in Los Angeles to an Esselen/Chumash father and a mother of French ancestry. She grew up in Washington State, earning a BS in teaching moderate special-needs children from Wheelock College in 1983 and an MA and PhD in English from the University of Washington. Miranda’s collections of poetry include Raised by Humans (2015); Indian Cartography: Poems (1999), winner of the Diane Decorah Memorial First Book Award from the Native Writers’ Circle of the Americas; and The Zen of La Llorona (2005), nominated for a Lambda Literary Award. Miranda also received the 2000 Writer of the Year Award for Poetry from the Wordcraft Circle of Native Writers and Storytellers. Her mixed-genre collection Bad Indians: A Tribal Memoir (2013) won a Gold Medal from the Independent Publisher's Association and the PEN Oakland Josephine Miles Literary Award, and was shortlisted for the William Saroyan Award.
Miranda’s poetry is informed by her mixed-blood ancestry and knowledge of the natural world. Often focused around gender, her poetry treats topics such as mothering and the ability to nurture in a violent world. The Zen of Llorona references the legend of La Llorona, or the Weeping Woman, an Indian woman who bears children to a Spaniard; when betrayed, she kills the children and then lives a life of mourning.
Miranda’s work has appeared in the anthologies Through the Eye of the Deer (1999), This bridge we call home: radical visions for transformation (2002), The Dirt Is Red Here: Art & Poetry from Contemporary Native California (2002), and Women: Images and Realities—A Multicultural Anthology (2006).
She teaches English at Washington and Lee University in Lexington, Virginia.
Palimpsest
A manuscript or piece of writing material on which the original writing
has been effaced to make room for later writing but of which traces
remain.
How does obsidian forget the hiss of magma?
How does water forget the cloud of its birth?
Can wild iris forget the dark belly of the bulb?
Does scar forget the torn, raw edge of flesh?
Hands that reached inside chaos, brought me out into the world.
Mouth that breathed into mine a language wild enough to wake me.
When does fire forget lightning? Should canyon forget river?
Might skin renounce fingerprint? Will honey deny the bee?
Don’t ask me to forget. Don’t tell me this is over.
Beneath sand and broken mountains,
even the Mojave remembers salt of a fickle sea.